Meant as a monument and ceremonial hall to celebrate the victories of the German army, now its endless, imaginary columns are imbued with the horrors of the Holocaust. Albert Speer commissioned the architect Wilhelm Kreis to design its barrel-vaulted interior on a huge and unprecedented scale. As if to link the madness of Frenhofer-whose story has also been read as an allegory of modern art-with the architectural fantasies of Nazi Germany, Kiefer bases the watercolor backdrop on a rendering of the projected Soldier's Hall for Berlin that was first sketched by Adolf Hitler in 1936. They deem it the work of a genius gone mad. Frenhofer labors in secret, painting layer upon layer, year after year, but when his followers finally view the picture, they discover that it is nothing but an unrecognizable and endlessly layered abstraction. Kiefer inscribed the title of this work in French at the bottom center-Le chef d'oeuvre inconnu-a title shared by Honoré de Balzac's story from 1831 in which an aging Baroque painter named Frenhofer works for many years to perfect a portrait that consumes him completely.
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